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Going Dutch

How England Plundered Holland's Glory

ebook
1 of 1 copy available
1 of 1 copy available

On November 5, 1688, William of Orange, Protestant ruler of the Dutch Republic, landed at Torbay in Devon with a force of twenty thousand men. Five months later, William and his wife, Mary, were jointly crowned king and queen after forcing James II to abdicate. Yet why has history recorded this bloodless coup as an internal Glorious Revolution rather than what it truly was: a full-scale invasion and conquest by a foreign nation?

The remarkable story of the relationship between two of Europe's most important colonial powers at the dawn of the modern age, Lisa Jardine's Going Dutch demonstrates through compelling new research in political and social history how Dutch tolerance, resourcefulness, and commercial acumen had effectively conquered Britain long before William and his English wife arrived in London.

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    • Publisher's Weekly

      August 4, 2008
      England's almost bloodless “Glorious Revolution” of 1688, in which the Dutch king William of Orange overthrew James II, began as a hostile takeover but rapidly turned into a friendly merger, according to British historian Jardine (The Awful End of Prince William the Silent
      ). She explores the fascinating Anglo-Dutch relationship to answer how and why two sworn foes became friends so seamlessly. Jardine focuses mainly on the “subterranean” intellectual, cultural and scientific intersections between the two countries and finds that contacts were “continuous and mutually advantageous” for decades before William's invasion. Cross-border fertilization resulted in two of the greatest painters of the age—Peter Paul Rubens and Anton van Dyck—working for English patrons while esteemed members of the Royal Society (such as Isaac Newton) corresponded with their Netherlandish counterparts (such as Christian Huygens). By looking so closely at elite opinion, however, Jardine too lightly dismisses the virility of “petty nationalism” lower down the scale and too easily glosses over the very real military tensions between the two powers. Nevertheless, this is a highly original work that will appeal to fans of Simon Schama's groundbreaking The Embarrassment of Riches.
      Color and b&w illus.

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