《中国文学史》直面当代文学理论对文学史的挑战,吸收当代传播学和接受美学的观点,把"文学传媒"视为与"文学理论、文学批评、文学鉴赏"同样重要的文学史的一翼,指出文学传播方式的改变会导致创作文体,创作方式和创作风格的变化,例如:宋朝印刷术的发明、宋代作家的学者化、宋诗以才学为诗的风格特征,这三者之间的联系,是过去的文学史和文学理论根本无法把握的,这问题正是当代文艺理论所提出而为过去文学史著作所经常忽略的。
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