审艺学是我国学者对艺术研究的创新理论成果。它是作者在审视艺术不断变迁成长的事实和思考艺术如何才能不在他者的指使下实现本体自由创造的梦想而提出来的。审艺学是专门研究人们对艺术领悟性判别反映的学问。
《审艺学》着重讨论了什么是审艺学及其结构内涵,从审艺本体性、艺术同一性、艺术可能性和艺术新生性等维度进行了深入的讨论,阐释了审艺学的内涵和价值,确立了"审艺"概念。虽然"审艺学"是初创的艺术学科理论,但它对促进当下的艺术研究、艺术创作、艺术学科建设和艺术教育等都有重要的学术参考价值。
审艺学是我国学者对艺术研究的创新理论成果。它是作者在审视艺术不断变迁成长的事实和思考艺术如何才能不在他者的指使下实现本体自由创造的梦想而提出来的。审艺学是专门研究人们对艺术领悟性判别反映的学问。
《审艺学》着重讨论了什么是审艺学及其结构内涵,从审艺本体性、艺术同一性、艺术可能性和艺术新生性等维度进行了深入的讨论,阐释了审艺学的内涵和价值,确立了"审艺"概念。虽然"审艺学"是初创的艺术学科理论,但它对促进当下的艺术研究、艺术创作、艺术学科建设和艺术教育等都有重要的学术参考价值。
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